This is for the June 2017 Carnival of Aces: Asexual Education.
Around October of 2016, I figured out that there had been an explosion of published ace fiction in 2015 and 2016, especially from LGBTQ+ publishers. My reaction was “What? How did I miss this? I need to learn more!” And so I embarked on educating myself on all of this new ace fiction (and a little older ace fiction). I assumed that many other aces, like myself, had missed a lot of this new published ace fiction, so that was one of the reasons I wrote so many reviews.
Now, I’ve moved away from writing reviews towards writing meta-criticism, mainly contributing to the Ace Trope series at the Asexual Agenda (at least so far), which I enjoy more than writing reviews, and I think is even better for educating people about what is out there in ace fiction than just writing reviews.
Why bother educating anybody about ace fiction?
With regards to educating myself, it was definitely a matter of curiosity, though it is fair to ask why I am so curious about ace fiction. I want there to be ace fiction because I have experiences, as an ace, which I rarely see expressed in fiction in general (unless I interpret fiction in a very metaphorical way). It’s not so much that I am interested in characters who just happen to be ace, just as I am not interested in characters who happen to have hazel eyes (even though I have hazel eyes myself), as that I am interested in ace experiences.
Why bother educating anyone aside from myself about ace fiction? Other readers, like myself, may want to find ace fiction for themselves, so I can help pave the way just as critics such as Agent Aletha helped me. And the more readers there are who support ace fiction in their own way, the more incentive writers/creators have to make more ace fiction.
So far, I have focused on reader education (especially myself), mostly ace readers. I am not sure how to go about educating a non-ace audience, or even whether that is a worthwhile goal. I would like ace fiction to be for ace audiences first. If ace fiction is primarily directed at non-ace readers, it could lead to challenges like the challenges gay men have with their representation in M/M romance, a genre which is mostly written for a female audience (Jamie Fessenden, a gay man who writes M/M romance, has a nuanced take on M/M being written for female audiences). That said, ace fiction can also be a great tool for educating non-aces about asexuality. It is also true that, the wider the readership there is for ace fiction, the more support there will be for ace fiction. I suppose my main concern is that I do not want ace fiction to cater so much to non-ace readers that it fails to cater to ace readers.
A group which I think could seriously benefit from education about ace-fiction are the writers/editors/creators who create ace fiction. I know Erica Cameron wrote some kind of guide for writing ace characters which I cannot find right now (if you have the link, please drop a comment), which was basically asexuality 101. Which is entirely necessary. And for some ace stories, asexuality 101 might be enough for a writer/editor/creator to represent asexuality properly. But even when a story gets the asexuality 101 right, or at least not wrong, it can feel … off. And there are tropes which are way overused, such as Allo Savior Complex, but one won’t learn how to use the Allo Savior Complex trope in a good way from asexuality 101 (the Allo Savior Complex trope can be used very well, but most of the time I just find it irritating, or if it’s really badly handled, offensive – so my advice to writers is, unless one has a good reason to use it, don’t use it). And just as there are tropes which are overdone in ace fiction, there are also things which a lot of ace readers want from ace fiction, but ace fiction is not delivering.
By the way, when I talk about educating writers/editors/creators of ace fiction – I’m not distinguishing between those who are ace and those who are not ace. Though I have yet to do a statistical analysis, my impression is that non-aces are much more likely to make an ace 101 level mistake than aces are, but GIVEN that a non-ace has already avoided 101 level mistakes, ace writers/etc. are almost as likely to make ace 201+ mistakes as non-aces. Though past the 101 level, it is a lot harder to determine what even is a mistake, since there is a lot less consensus about upper-division asexuality than there is about asexuality 101.
At this point, I think the best education available about ace fiction for writers/editors/creators which goes beyond asexuality 101 is the comments sections of the Ace Tropes series at the Asexual Agenda. Not so much the posts themselves – though I suppose one has to read the posts to make the most sense of the comments. I have learned a lot about how ace fiction could be improved from reading the comments. And if a writer/editor/creator came to me, and wanted to know how they could write asexuality better, my three recommendations would be a) make sure you have asexuality 101 down b) read the comments of the Ace Tropes series c) learn a lot about the real life experiences of different kinds of aces d) read a lot of ace fiction so you know what’s already out there, what is being done well, what is overdone, and what is missing.