AAWFC 2017: Musings on “Ace Representation in General”

This is for Asexual Awareness Week Fandom Challenge 2017 (even though I am not on Tumblr – if you are on Tumblr, feel free to share a link to this post under the #AAWFC tag).

Sat 28th, Day 7: Post about asexual representation in general. What does it mean to see asexual/spectrum characters in the media you consume? Why is it important to you to see asexual/spectrum characters in the media you consume? What sort of stories/plotlines would you like to see about asexual/spectrum characters? What genre do you really want to see asexual/spectrum characters in? How would you like to see asexual/spectrum people represented?

Such a simple set of easy-to-answer questions, isn’t it? I don’t think I could give a full answer to this prompt in a single blog post, so I’m only going to answer the parts I want to answer right now.

For some reason, the vast majority of human beings want to see themselves in others. I don’t know why that is. Maybe it’s simply a trait we have because we evolved to be a social species who tends not to survive individually if we do not belong to a group of humans. Anyway, that is how almost all of us are.

I am no exception. I like being able to recognize myself in the fiction I read (or watch, but I read more than I watch). For example, I generally think it’s cool to see characters in fiction who grew up in San Francisco (unless it’s obvious that the writer did not do their research on San Francisco). Do I crave more of this? Maybe a little. Narratives about San Francisco tend to be dominated by people who moved to San Francisco, which is a bit different from being from San Francisco (though YA set in San Francisco does tend to focus on characters raised in San Francisco). But finding stories about people from San Francisco is a very low priority for me.

However, even though many people react like I’m some rare species of bird they were lucky enough to encounter in the wild when they find out I am from San Francisco, there is a general awareness that some people do grow up in San Francisco. There is no need to have a ‘People Who Come from San Francisco Awareness Week.’

Perhaps I want to see aces represented in fiction because that is an aspect of who I am who which I do not see in stories as often as I would like.

Except … in the past year, I HAVE read a lot of stories with ace characters. I don’t think I would want to read more stories with ace characters per month than I have. The thing is a) I had to specifically seek ace stories to pull that off and b) many of those stories would have had little interest for me without the ace character and c) many of those stories do not have ace representation which satisfies me. Obviously, I want more.

It would take a lot of words for me to say what kinds of stories/plotlines I would like for ace characters, so instead I will point out this old post and list the ace tropes which I particularly like and wish to see more often in fiction: The Ace Group, Not Having Words, Ace/Ace Romance, and When Do I Tell Them I’m Ace. One could also look at the ace fanfic (even though there are problems with the ace fanfic I’ve written, they do represent a lot of the things I want to see in ace fiction).

What genre do I really want to see ace characters in? I want ace representation in all genres because readers of all tastes could benefit from being exposed … blah blah blah, that’s all true, but who am I kidding, I especially want to see ace (and aro!) characters in the wuxia genre, which I’m sure is no surprise to anyone who follows this blog. I do not think it is a coincidence that I headcanon some wuxia characters as being ace but I currently do not have ace headcanons in any other genre.

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AAWFC 2017: Canon Ace Characters Who I’d Want to See Meet Each Other

This is for Asexual Awareness Week Fandom Challenge 2017 (even though I am not on Tumblr – if you are on Tumblr, feel free to share a link to this post under the #AAWFC tag).

Fri 27th, Day 6: AU day! Post about what canon/headcanoned asexual/spectrum characters from different fandoms that you would like to see meet. What would their meeting would be like, why would you like to see them meet, what sort of relationship do you think they’d have, etc.?

The cover of All the Wrong Places by Ann Gallagher

I would like Nate Albano from For a Good Tim, Call… to meet Brennan and Zafir from All the Wrong Places. Technically, they are already in the same fandom since they all appear in Bluewater Bay novel, but they were created by different writers, so they are at least from different corners of that particular fandom.

Why do I want them to meet? Because they live in the same (fictional) small town! Furthermore, Nate Albano meets characters from other Bluewater Bay novels (even novels by different writers), so why can’t he also meet Brennan and Zafir?

Where would they meet? Now, that is a bit tricky. Nate is a newcomer to Bluewater Bay, and he works on the TV series. He may not even stay in Bluewater Bay after the TV series stops filming. By contrast, Brennan and Zafir are locals who have little to do with the TV show. So it does make sense that they would not necessarily meet each other. But…

Nate gets together with a local guy. Maybe the local guy knows Brennan and Zafir? But that does not mean he would have a reason to introduce them to Nate (he knows Nate is ace, but he probably does not know that Brennan and Zafir are ace). On the other hand, since Nate is a guy who gets together with a dude, and Brennan and Zafir are another dude-with-dude couple, maybe the dude-with-dude couples in a small town would get to know each other? (Though there are a lot of dude-with-dude couples in Bluewater Bay, given that it’s a novel series published by an LGBTQ+ publisher).

AHA! I know how Nate would meet Brennan and Zafir. Zafir goes to the Seattle ace meetup regularly. Maybe it would occur to Nate that he could also go to the Seattle ace meetup, and he could meet Brennan and Zafir there.

NATE: Hey, so this is my first time here. I came here from Bluewater Bay.

ZAFIR: No way! We live in Bluewater Bay too!

NATE: You SERIOUS??!!

BRENNAN: This is too much of a coincidence! Of all the places in western Washington another ace could come from, what are the odds that another ace would come from Bluewater Bay? It’s a fictional town for crying out loud!

ALICIA: To be fair, this meetup is also fictional. The real Seattle ace meetup isn’t a casual get-together at a hipster coffee shop in the university district, it takes place at a LGBT center and they create an agenda of asexual topics they are going to discuss at each meeting.

Then again, the novel All the Wrong Places mentions that there is also an ace group in Port Angeles, yet it is never depicted. Maybe Nate meets Brennan and Zafir in Port Angeles?

AAWFC 2017: Musings on Headcanon Ace Characters in Wuxia Novels

This is for Asexual Awareness Week Fandom Challenge 2017 (even though I am not on Tumblr – if you are on Tumblr, feel free to share a link to this post under the #AAWFC tag).

Sun 22nd, Day 1: Post about canon and headcanoned asexual/spectrum characters in books and comics.

In the past year – since a I read a bunch of ace fiction for Asexual Awareness Week last year in fact – I’ve written plenty about canon ace characters in books. So I’m going to talk about headcanon ace characters instead.

Yes, you guessed it (if you read my blog in a regular basis). I’m going to write about Yang Guo and Guo Jing from the Condor Trilogy (or more accurately, the Eagle-Shooting Trilogy, but whatever).

There is Yang Guo with Xiaolongnü, the most beautiful woman in the world. He is naked, she is naked, they sit together like this for a long time, yet he never thinks about sex at all (according to the novel – I don’t know how they would convey this in the TV adaptation).

I’ve already written plenty about these headcanons – in fact, my very first submission to the Carnival of Aces was a series about how I headcanon Yang Guo as being ace, and years later I wrote about how I headcanon Guo Jing as demisexual.

Actually, while I am talking about headcanons and wuxia, I might as well mention that I headcanon Fei Ruoran in The Valley of Life and Death as being an *aromantic ace* (finding a female protagonist from wuxia who I can headcanon as aromantic is incredible). And yes, even though I have read a lot of novels in 2017, so far, The Valley of Life and Death is still my favorite.

So, what more do I have to say about these headcanons that I have not already said in previous posts? Let’s see…

If Yang Guo were explicitly a canon ace, then he would be the best example of the kind of ace character I want in fiction. Of course, he’s not a canon ace character, and I have to deduct a heck of a lot of points for that. However, while I have found much goodness during this past year as I’ve binged on fiction with canon ace characters, I still feel like I have not quite found what am I looking for. If I found a canon ace character who has all of the qualities which makes me like Yang Guo so much as a headcanon!ace character, would I then finally be satisfied? Probably not, because I would still want more aromantic representation, and Yang Guo very much is not aromantic.

Or is he? Okay, obviously, he’s not aromantic aromantic, but a case could be made that he is demiromantic. He only falls in love once in his life, and only after he had a close relationship with that person for years. That seems pretty demiromantic, and while Jin Yong rarely has characters fall in love with each other at first sight (unless they are supporting/minor characters, especially female characters), it generally takes something significantly less than living with a particular person for years to get a Jin Yong character to fall in love.

And there is Guo Jing who, at this point, feels to me that he is at the border between headcanon and canon demisexual. The way he is described in the novel fits the dictionary definition (or at least the wiktionary definition) perfectly. Is that enough to make him a canon demisexual, without writer confirmation or explicitly saying that he demisexual? How explicit is explicit enough? I feel that he is just one notch shy of being the kind of representation I could call ‘canon’ rather than ‘headcanon’.

And then there is Fei Ruoran, who is not from the Condor Trilogy at all, or even a Jin Yong novel. There is actually even less substantial evidence in the text that she is ace than for Yang Guo or Guo Jing. It’s mostly the total absence of any sign that she has sexual feelings. There is actually a tiny bit of evidence that she is aromantic – namely, the scene where she says that she does not even know what romance is. However, the mere fact that she is a female protagonist in a wuxia novel who doesn’t fall in love with anybody is enough to suggest aromanticism to me.

If you got this far, thank you for bearing with my meandering thoughts, and happy Ace Awareness Week!

My experiences with being ace in Vorkosiverse fandom

This is for the October 2017 Carnival of Aces: Asexuality in Fandom.

A few years back I wrote this, which is ironic, because about a year after that, I did actually develop an interest in fanfic, and two years later, I started writing fanfic.

There were a few stimuli, the most prominent being reading Gentleman Jole and the Red Queen (GJatRQ). As a teenager, the Vorkosigan Saga was one of my most favorite series of books. GJatRQ was in some ways satisfying, and in some ways disappointing, and it was the latter which inspired me to write fanfic.

Another thing I wanted to play with was having an asexual character in the Vorkosiverse. As it so happens, I do not headcanon any of the canon Vorkosiverse characters as being ace (there are some potential ace headcanons there, it’s just that I don’t headcanon any of them that way), so that meant having original characters who were also ace.

For me, as a fan, the essence of the Vorkosigan Saga is that there is high levels of drama and chaos, and the characters have to grow and make a major change in themselves in order to earn their happy ending. The Vorkosigan Saga novels which best exemplify this, in my opinion, are Mirror Dance and A Civil Campaign, which are also my favorites in the series. Another trademark of the Vorkosgian Saga, IMNSHO, is mad cap adventure – mistaken identities, implausible plot twists which are too bold for the reader to reject, Miles spreading chaos, etc. GJatRQ went against all that, so I wanted to respond by writing fanfic in which there was tons of drama, chaos, plot twists, etc. On top of all that, I wanted the protagonist to be difficult to like (some readers ended up liking him anyway, but I did not make it easy for them to like him!) In fact, my favorite comment which I received was this was … I can’t find it write now, but this was the summary “this OC is so awful, he’s the opposite of a Gary Stu, I can’t keep reading this!”

(On that note: if you want to find these fanfics I wrote, you can, but I am warning you that a lot of readers find this particular series offputting. So if you find them, and come back to me and say “Sara, those fanfics are so horrible, I wish I had never read them” my response will be “I warned you.”)

So, I wanted to write fanfic which centered a particular type of antihero, and I wanted to throw in asexuality, so this antihero ended up being ace (and aromantic too).

It was interesting to see how the (mostly non-ace) readers reacted to this original character being an aro ace. Based on the comments, some of them seemed to find him more sympathetic after they found out he was aro ace since it helped explain some of his actions, especially since he helped another ace character. And yes, I put in a second original character who is ace because it’s a lot easier to bring asexual themes into a story if there is more than one ace character. And since the second ace character was much easier to like, readers generally had a favorable opinion of her (she was also more boring, which is why she was not the center of the series). However, while most readers thought that the antihero helping the other ace character was one of the most likeable things he did, there was one reader who felt that he was hurting her by telling her that it was okay for her to be ace.

A problem I had while writing was that I am a lot more interested in Asexuality 201 than Asexuality 101, so these fanfics had a lot of 201 and not much 101. This resulted in some readers being confused. When I read ace fiction, I’m sometimes frustrated by there being more Asexuality 101 than Asexuality 201, but having had this experience, I can understand why writers sometimes put in more Asexuality 101 and less Asexuality 201 than I would like.

There were a whole bunch of other problems with this series of fanfics, but they weren’t related to asexuality, so I’m not going to discuss them here.

Even after writing this set of original-character centric fanfics, I still had not worked GJatRQ out of my system, so I went on to write a point-of-departure AU of The Vor Game. I killed off one of the major characters in The Vor Game right at the beginning (that was the point of departure which separates the AU from canon), which, among other things, led to one of the key events of GJatRQ happening during the timeframe of The Vor Game (i.e. more than twenty years earlier). (By the way, if you insist on reading my fanfic, I would like you to read this one first because I feel better about how it turned out. I am proud of how many cliffhanger chapter endings I was able to think up. And the fact that I am more interesting in using fanfic for cliffhanging than for shipping may reflect my aro-aceness).

Though this AU fanfic did not have any explicit ace content whatsoever, I was aware of some subtle ways that ace discourse was affecting the way I wrote this fanfic. For example, there is a scene where a character is talking about how he has sexual agency and can consent to sex, which was definitely influenced by ace writing about how it is possible for aces to consent.

I also put in three original characters in this fanfic who *I* think are ace, and I was debating whether or not to make that asexuality explicit. Eventually, I decided not to do so, and there is no hint in the fanfic that they are ace. Why did I not make it explicit? The in-universe reason was that they were not POV characters, and it did not make sense for them to come out as ace to the POV character. However, if I had wanted to make their asexuality explicit, I could have made up a reason why they would want to come out as ace. The real reasons were that a) I had just written some fanfics with very explicit asexual themes, and I wanted a break from that and b) I didn’t just want it to be a ‘by the way I’m ace’ thing but I also did not want to address asexuality in more depth in that fanfic because I did not want it to distract from the other stuff which was going on in the story. Thus, they aren’t even word of ace ace characters since I’ve never put out the word that those specific characters are ace.

***

Finally, a few comments on being ace in the Vorkosiverse fandom.

The biggest disadvantage is that the Vorkosiverse fandom is a heck of a lot smaller than, say, the Harry Potter / Supernatural / Sherlock / Marvel Cinematic Universe / Homestuck / etc. fandoms. It’s not even as big as the Miraculous Ladybug fandom. That means there are a lot fewer fanworks out there, and consequently, a lot fewer people making ace fanworks. In fact, as far as I know, I’m the only person who has made any ace fanwork for the Vorkosiverse fandom.

The big advantage of the Vorkosiverse fandom is that it is a lot less focused on erotica and shipping than many other fandoms. There is still plenty of erotic fanfic and shipping in the fandom, but there are also a lot of plotty fanfics, as well as fanfics which explore the setting of the series without focusing on sex or romance. For example, one of the most common tropes in Vorkosiverse fandom is Somebody Finding Out the Truth about the Escobar Invasion (in the past month alone, there have been two fanfics with this trope – “The King’s Quarrel” and “A Man of the Right”). There is a fanfic in which Gregor figures out most of it but thinks that Aral, not Ezar, was the mastermind, there’s a fanfic in which Komarran terrorists capture Aral, use truth serum on him, and then broadcast the interrogation on the vid network, and various other variations on the trope. And this trope almost never has much to do with sex or romance. As an aro-ace, this greater abundance of fanfics focused on something other than shipping makes Vorkosiverse fandom more appealing to me than many other fandoms.

In the Western Land of Disaster

A wildfire blasted through the city of Santa Rosa faster than most people can believe. We can smell the smoke here in San Francisco, where the air quality has often become unhealthy in the past week and a half (note: air pollution this bad is very rare for San Francisco). My in-laws in Santa Rosa are safe and their homes are intact, but many are not so lucky.

(I have yet to hear about my in-laws in Puerto Rico since Hurricane Maria, though we would probably know by now if they were dead or seriously injured. I know they are patriotic, pro-independence Puerto Ricans, but I wonder if life has become so rough in Puerto Rico that they will decide to leave).

One of the most shocking aspects of this fire is that it has devastated a city, not just some rural area in the hills (of course, the rural people in the hills feel like the rest of California does not get a shit about them when they lose their homes – or at least, my cousin who lost a home to a wildfire about ten years ago feels that way). About a hundred years ago, large fires in USA cities were common – just about every major USA city which has been a major city for at least a hundred years has been destroyed by fire at some point. However, we have begun to feel that we are ‘safe’ in cities, and the Santa Rosa fire shows us that we are not.

Climate change is most likely increased the odds of a disaster like this, but it could have happened even without climate change. There was the 1964 Henley Fire which was smaller, but one of the reasons it did less damage to homes (and killed no people) was that the population of the Santa Rosa area was much smaller in 1964 than today. My mother is of the opinion that homes should not be rebuilt in wildfire zones, but that raises the question of where the people who live in wildfire zones should go, especially considering the high cost of housing in California.

However, there are people who say that, due to climate change, it is the individual’s best interests to leave the west coast of North America because the American West is going to burn. Indeed, when my mother talks about why some particular place is not a good place to live, she becomes defensive about her choice to set her roots in San Francisco. Since I already have roots here, I feel it makes sense for me to stay, but if I did not have any existing ties to San Francisco, I probably would not choose it as my residence. Everywhere is going to have problems because of climate change, but if I was thinking about moving to a place which would have the least bad impact from climate change in North America, I would probably look to the Great Lakes region.

As I am writing this post, the air quality is still unhealthy. It reminds me of how the wildfires were messing with the air quality in the Pacific Northwest this summer. As I was in smoky Vancouver, I was thinking about how the air would be clean in San Francisco, and how odd it was that Washington and Oregon were having much more severe wildfire problems than California. I guessed I called that one too early.

The Jin Yong Jolt

In my experience, reading a Jin Yong novel often involves dropping the book and blubbering “what – what – what was THAT???!!!”

WHAT IS THIS??? WHAT IS GOING ON HERE???

Recently, I watched Zhang Jizhong’s adaptation of Ode to Gallantry. Even though that is the Jin Yong novel I have the least memory of, I could tell that the adaptation had a bunch of stuff which was not from the novel, but that was okay – anyway, since it’s on my mind, I’m taking my first example from this story.

There are these two martial artists from the Isle of Gallantry who, to put it mildly, scare the shit out of everybody, even the leaders of the most powerful martial arts sects. That’s because they travel around China every ten years, invite sect leaders to their island. Nobody who goes to the island has ever returned, and if the sect leader refuses, then the martial artists from Isle of Gallantry kill the entire sect, and nobody can stop them,

The story builds up the suspense by explaining that these two martial artists come from the Isle of Gallantry every decade, oh and it’s been ten years since they last came around, and many martial artists are desperately scrambling with various strategies to avoid being taken to the Isle of Gallantry and/or killed, and so forth. There is even an alliance being formed to create a united front against the martial artists from the Isle of Gallantry.

The guys from the Isle of Gallantry encounter the protagonist.

Naturally, the martial artists from the Isle of Gallantry eventually appear, and just as naturally, the protagonist – who of course is going to be mistaken for the leader of a major sect because plot – runs into them. What do you think happens next?

Jin Yong is very good at building the suspense, but so are a zillion other competent writers. This is not what sets Jin Yong apart – it is the way he delivers on the buildup which is special. If you haven’t guessed already what the protagonist – who often gets mistaken for a sect leader – does when he meets the Guys from the Isle of Gallantry, guess now.

You win if you guessed … that he becomes friends with them and sworn brothers, and drinks wine with them. Wait – what the heck??!!!

Becoming friends with the men from the Isle of Gallantry means that the protagonist is possibly safe from them, but once it gets known that he’s their sworn brother, well, that alliance against the Isle of Gallantry is going to target him.

Yes, Jin Yong will build up the suspense, getting the readers to anticipate whether A or B will happen, and finally, it’s neither A or B – it’s C. And option C is frequently ridiculous, but Jin Yong is talented at getting the reader to accept C without breaking the suspension of disbelief.

In my Rambling Series about Sexism in Jin Yong Stories, I mention the example of the protagonist killing his sweetheart as being misogynist. I am fairly certain that is intentionally there to shock readers. Generally, a sympathetic and righteous protagonist is not supposed to kill his sweet and loving romantic interest. However, though it is a shocking (and misogynist) plot twist, I bought into it as a reader – in other words, my suspension of disbelief remained intact.

Here are more examples of suspenseful buildups leading to surprising plot twists from various Jin Yong novels (I’m not citing the specific novels because these are very spoilery)

Example 1:

Buildup: To make a very, very, very long story short, there is a group which wants an order of Buddhist nuns to submit to them. The abbesses refuse on principle. Therefore, this group attacks the nuns to force them to submit. Out of all of the nuns’ “allies” the only one who helps them is the male and non-Buddhist protagonist with a reputation for being a lowlife (i.e. he loves drinking alcohol, which is forbidden by strict Buddhists, he enjoys having lustful thoughts about women, etc.)

Question: Will a) the abbesses, with the protagonist’s help, be able to survive and protect their order of nuns, or b) will they all be murdered, leaving the younger nuns without effective leadership and thus defenceless?

Answer: C. The last abbesses are murdered, and with their dying breath declare the male, lowlife, non-Buddhist protagonist as the leader of their order. The plot twist is actually more complicated than this, but I don’t think I can describe it succinctly. Suffice to say, having a lowlife male protagonist suddenly become the leader of a sect of nuns is a very WTF plot twist even without the extra details.

Example 2: (warning for sexual violence)

Buildup: Heroine secretly overhears Villain 1 giving Villain 2 a date rape drug so that he can rape her, and Villain 2 happily accepts it. When Villain 1 leaves, Heroine ambushes him, and then goes to the room where Villain 2 is to confront him. (And in an earlier scene in the novel, Villain 2 had beat Heroine in combat, so he is clearly a better martial artist)

Question: Will a) the Heroine succeed in confronting Villain 2 or b) will Villain 2 overpower her?

Answer: C. Villain 2 told Heroine that Villain 1 had given him the drug so that he could rape her, but that he would never use it that way. He lets Heroine throw the drug out the window, and she decides to trust him. (The reader knows that this guy is not trustworthy).

Example 3:

Buildup: Character 1 wants to kill Character 2.

Question: Will a) Character 1 succeed or b) fail, and possibly be killed by Character 2?

Answer: C
Character 1: I am going to kill you because you are [X].
Character 2: No, I’m not [X].
Character 1: You’re lying.
Character 2: No, I kidnapped [X], and I’ve been impersonating her for years.
Character 1: You’re a really bad liar.
Character 2: No, I’ll prove it to you.
[Character 2 shows Character 1 where she is keeping X in captivity]
Character 1: Wow, you weren’t lying. I’m not going to kill you.

(Coincidently, since all of the characters in this scene are female, it passes the Bechdel test.)

I actually began this post with a particularly elaborate and constructed technique Jin Yong uses to give readers their shocks. He also uses simpler techniques.

One technique is to simply have striking imagery, without any buildup. A villain demonstrates the potency of his poison by poisoning a shark and releasing it to the sea. The shark writes with pain before it finally dies. Other sharks come in and eat the dead shark, and then die of poison, and the sharks which eat those sharks get poisoned too, until the sea is filled with the floating corpses of dead sharks. Of course, though this image did not come with much build up, it is used as buildup for a later scene: when a character falls victim to this same poison, the reader knows just how much trouble he is in. His death is extremely painful. And when the crows descend to eat they flesh of his corpse, they all die too, thus he is reduced to being a skeleton amidst a flock of dead crows. (I think this is one of the most gruesomely spectacular death scenes I have found in fiction).

There is HAPPY BIRTHDAY!!!! (in Chinese) written across the sky.

Not that all of the bold imagery is violent. Someone prepares a birthday gift for a teenage girl – he arranges a series of fireworks to go up to write across the sky “Happy Birthday [name of teenager]!” And those fireworks also destroyed some of the fortifications of the birthday girl’s enemies – okay, a lot of the imagery is violent.

Of course, Jin Yong steals borrows a lot of this imagery from other sources. For example, the image of a man whose face is so handsome that he goes around wearing a mask to hide his handsomeness is clearly taken from the story of the Prince of Lanling.

As you can see, a theme in this striking imagery is hyperbole. It works.

However, it’s often not purely striking imagery – the context adds to the vividness of the scene. For example, one of the most famous moments in all of Jin Yong’s novel is when a woman plunges a sword into a man’s chest. While that is an interesting image in itself, what makes it memorable is that the man is the protagonist, and that he is in love with the woman and had not tried to defend himself because he had trusted her not to hurt him.

This is a *different* famous scene with a young woman menacing the protagonist with a sword. In this case, the protagonist does think the woman might actually hurt him because she is clearly super angry at him. Jin Yong ends this scene on a cliffhanger, so the reader does not find out what the young woman does with the sword until a later chapter.

Another example is when a protagonist is hidden under a layer of frost, so he looks like a snowman. Other sets of characters come in and say things they would not want the protagonist to here, unaware that he is right there. Finally, when a fight scene happens, he finally bursts out of the frost, so those characters realize that he was there the whole time *and* he overheard them.

Jin Yong is also extremely fond of relationship/identity-based reveals. He uses “Luke, I Am Your Father” many times, as well as ‘this person is actually the incognito emperor of China’ ‘this person is actually your sibling’ ‘this person is actually the incognito emperor of China AND your sibling’ (yes, Jin Yong has used that last trope).

There are some shock tropes which Jin Yong overuses – for example, I think there are too many mothers who commit suicide in front of their sons (quite a few fathers do it too, but the mother is more likely to do it because, in the Jin Yong universe, female life is not as valuable as male life). However, considering how long his novels are, the variety is still impressive.

This is one of the most famous scenes in Demi-Gods and Semi-Devils (w/ Eng subs) (rated R for violence) because it stacks an unusually high number of shock tropes, even by Jin Yong standards. When I was reading the novel, I felt that this scene was so over the top that I was laughing out loud. Nonetheless, because it packs in so many shock tropes, it is a good example of many of the things I discuss in this post.

Last year, I wrote this crossover fanfic about Emperor Kangxi (Jin Yong) and Emperor Gregor (Vorkosigan Saga). Even though the Vorkosigan Saga has plenty of shock tropes itself, one thing I noticed while writing the fic that it was easier for Kangxi to shock Gregor than vice versa because Kangxi is from a fictional universe with a higher level of what-the-f**kery going on.

To wrap things up, Jin Yong’s shock tropes push the readers closer to the edge of suspension of disbelief without (usually) pushing them over the edge (the characters go in a boat all the way to the Arctic Circle, and land at Fire-Ice Island, and stay there for ten years without any contact with the outside world, etc.) Because it is a region of the imagination which most storytellers will not send the readers, full of surprises, it feels fresh and new. And there are all the feels. And because it is so fresh, and surprising, and there are so many feels, it helps the reader feel more alive.

One of my favorite Jin Yong TV theme songs is “Up and Down a Challenging Road” (no, it’s not the most literal translation of the song title) from the 1982 adaptation of Demi-Gods and Semi-Devils. Out of all the Jin Yong theme songs, I thing it best captures the spirit of the Jin Yong universe as a whole – reading a Jin Yong novel puts me on a ride full of jolts.

My Fellow Hikers, Part 6 (Final)

Read Part 1, Part 2, Part 3, and Part 4, and Part 5.

HIKER OF SECTION L – RAINY PASS (WASHINGTON) TO MANNING PARK (BRITISH COLUMBIA): JUST JON
Origin: Sacramento, California
Hiker Type: Flipping Thru-Hiker
Trail Resume: I don’t know

In a previous post, I mentioned a wonderful surprise water source. That water source is where I first met Just Jon.

Just Jon is the hiker sitting on the right in this photo.

Jon had started at the Mexican border, like most northbound thru-hikers. Like many thru-hikers this year, he skipped the Sierras. He had wanted to continue hiking in Oregon, but Oregon was already on fire. Thus, he decided to start at the northern end of the Pacific Crest Trail, and continue south to finish his thru-hike. This is known as ‘flipping’.

According to my maps, this was the last water source before Cutthroat Pass and Granite Pass. Day hikers confirmed this. It turned out that there were actually quite a few more water sources before Cutthroat Pass, though they were not as good as this one.

He had started at Rainy Pass, hiked all the way to the USA/Canada border, and was on his way back south. I asked why he started at Rainy Pass and not Hart’s Pass (which is much closer to the border). He said that it was much easier to get a ride to Rainy Pass. I can believe that, but getting a ride *out* of Hart’s Pass was fairly easy (I could have gotten a ride out of Hart’s Pass if I had wanted to end the hike at that point) so I don’t understand why he decided to hike south from Hart’s Pass to Rainy Pass. Oh well.

A water source near Rainy Pass, Northern Washington.

He warned me that he had washed his clothes in the pool at the water source, but that did not bother me, because I was going to take my water from the stream anyway (in most cases, flowing water > standing water). Because Jon was not wearing much clothing (he was drying his clothes) he got attacked by biting flies. I would not have even known that there were biting flies at the water source if he and the other hiker there hadn’t complained about them (I was wearing my permethrin-treated clothing, which meant I couldn’t rinse my clothes like other hikers can, but given a choice between dirtier clothes and being harassed by insects, I’ll choose the dirtier clothes).

A view from Cutthroat Pass, near Rainy Pass, Northern Washington.

As you can see in the photo above, another hiker, Mini Boss, was there too. Jon and Mini Boss had actually met each other in Southern California, so this was a reunion for them. Jon collected both of our emails. When he is off trail and has time, he said, he would like to email as many PCT hikers as possible and do some project collecting our stories. This was a really weird year for the Pacific Crest Trail, since the Sierras were snowbound until late in the year, and the fires in Oregon were also thwarting hikers’ plans. As he put it, everybody basically has their own unique itinerary this year.

The view from Cutthroat Pass, near Rainy Pass, Northern Washington.

I was heading north, and he was heading south, so I thought I would never see him again.

Ha ha ha ha ha. You NEVER know who you are going to run into again (one would think my encounters with No English would have taught me better).

Fast forward about two weeks later.

The train on the left is going to Los Angeles. Union Station, Portland, Oregon.

I was in Oregon, on the train to Los Angeles (though I was getting off in the Bay Area, not Los Angeles). I overheard somebody talking about hiking, and I of course wanted to talk to him and ask him where he had been hiking, but I was in the middle of a card game. As it turns out, he ended up recognizing and approaching me. Why, it was Jon again!

Obviously, I had gotten off trail because I had reached the northern end of the PCT. But he was a thru-hiker going south. Why was he on the train?

Wildfires. Of course.

He got off the trail at Stevens Pass. I was surprised, since the PCT was open from Stevens Pass to Snoqualmie Pass. He said that, even though the PCT was open, there was a lot of smoke in the air, and there were so many fire closures south of Snoqualmie Pass that there was no way he could complete his thru-hike this year. He generally seemed very down about it. I asked if he was going to hike the PCT in the Sierras, and he said there was not enough time in the hiking season left for the entire Sierras. I said that he could still do part of the Sierras, especially since his family is in Sacramento. He said that maybe he would do part of the Sierras.

View from Granite Pass, between Cutthroat Pass and Methow Pass, Northern Washington.

Most of the train passengers were impressed with our hikes. I humbled myself by pointing out that I had not hiked as many miles as Jon (true). Jon countered by saying that I at least completed my planned hike, whereas he had fallen far short of his goal of completely the PCT this year.

I happened to spy him with a copy of More Than Two, and he was talking to another train passenger about polyamory. I asked to borrow the book, searched the index for ‘asexuality’ and read everything the book had to say about asexuality. Generally, I was not impressed, and their definition of ‘demisexual’ was just wrong.

View from the ridge above Glacier Pass. This was a few miles before I met Jon. Between Glacier Pass and Hart’s Pass, Northern Washington.

At some point in the conversation about polyamory (the other train passenger had never heard of polyamory) I came in, and mentioned that I am an aromantic asexual. I think this is the first time I have ever told another PCT hiker that I am ace or aro (or talked about asexuality/aromanticism on Amtrak, for that matter). I shared my opinion of what More Than Two says about asexuality. Neither Jon nor the other passenger had heard of human sexuality before. At first they did not clearly understand that it was a sexual orientation (I’m not sure if the other passenger ever got it, because at one point he said ‘between your [Jon’s] approach and your [my] approach, I think I’m leaning towards yours [mine]’ (asexuality is not a choice! though abstinence from sex is a choice). Someone, a lot of the conversation ended up being about the other passenger’s relationship dilemmas, and it was an interesting conversation.

So, why did Jon have a polyamory book? To summarize what he said (and put it in different language), he feels that escalator relationships do not work for him, so he’s exploring alternatives.

The trail going towards Hart’s Pass, Northern Washington.

It really does not surprise me that PCT hikers would be reading about polyamory. The Pacific Crest Trail attracts people who are interested in alternative lifestyles because being on the Pacific Crest Trail *IS* an alternative lifestyle.

In addition to the alternative lifestyle factor, I think polyamory has benefits specifically for PCT hikers. A common problem for PCT hikers is maintaining relationships with ‘significant others’. This is not a problem for me because I don’t have significant others (though I have other types of social problems on the Pacific Crest Trail, but that is another topic). Ideally, the significant other of a hiker will also want to hike, and they will have completely compatible hiking styles. THIS ALMOST NEVER HAPPENS. Assuming they both want to be on the trail, there will probably be incompatibilities in their hiking styles, which means they will need to compromise (a system which sometimes works is that they will hike separately, but arrange to meet each other for lunch and at campsites). And often, one of them wants to be on trail a lot more than the other one, which can really mess with the relationship. And if one is on trail and the other is not on trail, and they are separated possibly for months … well, that can be difficult for other reasons. I’ve heard of thru-hikers learning that their significant other is seeing somebody else, and I am sure that some thru-hikers with significant others at home have also taken up ‘trail romances’. If a hiker must separate from their significant other to hike the PCT, I think a polyamory mindset could help both the hiker and the off-trail significant other to meet their needs while maintaining the relationship.

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That’s the end of my series on hikers from my summer hike on the PCT. There are so many hikers who made my experience more meaningful who I haven’t described in this series, such as that Texan guy I met at a water source eight miles out of Cascade Locks, the father and son who shared my first campsite in Washington, Takokat, The Dude, Seaweed, that three-generation family I met near Big Huckleberry Mountain, Scott, a different father and son duo who shared my campsite near the Cispus River, Pony Express, those therapists from the Tri-Cities area, the hikers I camped with at Pipe Lake, Sidney, the young woman I met at Ginette Lake, Party, the uncle-and-nephew duo I camped with, Portia and Trevor, Quetzal, Cougar Bait, Eric from San Francisco (yes, another hiker from San Francisco!), the woman I camped with at Lemah Meadow, the rock-climbing party at Gravel Lake, Bob Ross & Scaredy Cat, Mountain Rabbit, Just Wait, Chatterbox, Lazy John, Pirate, The Kid, Mr. Clean, that young guy from Vancouver WA, that guy I camped with a few miles north of Seiad Valley, the Finnish hikers, and so many hikers who I am not even mentioning here! However, while I did not do everybody justice, I think this series of posts has offered a good sample of the types of people I met on the trail this summer.